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Life-stories emerge from a wide variety of facts and events in individual lives and weave a selected few of these together to make meaning in the present. They are crucial for constructing identity and influence action by establishing worldviews and a persona that narrators will seek to confirm. In this study we describe three main themes in the life-stories of six incarcerated men in Argentina: a) Protecting family, especially parents; b) reconstructing an ideal past, and contrasting it with a more cynical present; and c) blaming criminal neighborhoods, friends, and girlfriends for their crimes. We discuss how these themes are intertwined, what function they fulfill, and the identities and masculinities they produce. Combining research on life-stories with narrative and psychosocial criminology the analysis reveals how life-stories of incarcerated men can be seen as attempts at countering stigma and defending a self that is under attack. The life-stories portray a believable, ‘good’, and multifaceted image of the self, but most importantly, create coherence and unity in otherwise chaotic lives.

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Music is ubiquitous in contemporary societies, and criminologists are paying increasing attention to it, asserting that it takes antisocial, prosocial and anti-establishment forms regarding criminality. Established approaches provide vital ways to understand the relationship of music and crime, but criminologists have yet to theorise the fluidity of

music's roles for those who have committed criminalised acts. The life-story interviews we conducted with prisoners in Latin America reveal that music's role in people's lives changes over the course of their lives in complex ways. It also frames and influences the way they talk about their own histories. Informed by repeat interviews with four prisoners, we suggest including the concepts of life courses and life stories to facilitate understanding the complexity and multi-dimensionality of the relationship between crime and music. We also demonstrate and discuss how life courses and life stories are intertwined.






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Updated: Nov 8, 2023

This study aims to understand why people agree to participate in qualitative research. While some studies have emphasized the motivation to participate in research, the nuances and underlying stories that favor participation have not yet been examined.

Using data from repeated biographical open-ended interviews with men and women convicted of violent crimes in Argentina and Chile, we distinguish between stories emphasizing the interviews as a space or opportunity for a) healing and selfimprovement, b) venting emotions, c) presenting alternative stories, and d) creating individual or systemic change. We also discuss stories that indicate a different direction, namely e) skepticism regarding research participation. The stories are discussed in view of self-presentations, the prison context, and issues of consent. Our study underscores the importance of critically exploring widespread narratives about the benefits of qualitative interviews. Understanding the stories that encourage or discourage participation in research allows for a more nuanced comprehension of the recruitment processes, consent to participate, and the qualitative interview dynamics.




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